/* ══════════════════════════════════════════════════════════════════════════════
   PALETTE — Lewis Ink (Elkton, MD)                          loaded AFTER kit.css
   Every colour below is measured off something they own. There is no storefront
   photo and no logo file, so the fixtures are the work itself: every piece on their
   Google listing and Instagram is black and grey on skin. Sources in the comments.
   ══════════════════════════════════════════════════════════════════════════════ */
:root{
  /* ── the ground: the solid black fill in every piece (skull hood, chains, masks) ── */
  --ground:#0B0B0C;        /* SOURCE: the packed black in g-01-skull-lace.jpg          */
  --panel:#131315;         /* one step up, alternating bands                             */
  --panel-2:#1A1A1D;       /* two steps up                                               */
  --ink:#0E0E10;           /* their black, for light-page bits                           */
  --ink-2:#232326;
  --ink-3:#3A3A3F;

  /* ── the two light sources ──────────────────────────────────────────────────
     WARM: the skin tone showing through the grey wash (measured on g-03-masks.jpg).
     COOL: the grey wash itself, the mid-tone of every shaded piece.               */
  --lume:#C9B8A3;          /* SOURCE: skin under the wash, g-03-masks.jpg               */
  --lume-hot:#E3D6C4;      /* the same, brighter, hover states                           */
  --lume-2:#9AA3AD;        /* SOURCE: the grey wash, g-02-skull-chains.jpg               */

  /* ── accents on the light layer ─────────────────────────────────────────── */
  --accent:#8A7A66;        /* the skin tone, deepened for use on paper                   */
  --accent-lt:#C9B8A3;
  --accent-2:#6E7680;      /* the wash, deepened                                         */
  --mark:#E3D6C4;          /* wordmark only                                              */

  /* ── paper and type ─────────────────────────────────────────────────────── */
  --paper:#F1ECE4;         /* healed-skin highlight / bone, the brightest tone in the work */
  --paper-2:#FAF7F2;
  --line:#DCD5CA;
  --body:#232326;
  --muted:#5C5C63;
  /* CONTRAST, computed against --ground #0B0B0C (contrast check 2026-09-10):
     --txt  rgba(241,236,228,.92) -> #DFDAD3 -> 14.2:1  body copy, beats 12:1
     --txt-2 rgba(241,236,228,.70) -> #ACA8A3 ->  8.3:1  secondary, beats 7:1
     --lume #C9B8A3 -> 10.2:1   --lume-2 #9AA3AD -> 7.7:1   button text on --lume 10.2:1 */
  --txt:rgba(241,236,228,.92);
  --txt-2:rgba(241,236,228,.70);

  /* ── edges, derived from --lume #C9B8A3 ─────────────────────────────────── */
  --edge:rgba(201,184,163,.16);
  --edge-hot:rgba(201,184,163,.44);
  --hair:rgba(138,122,102,.22);
  --glow-a:rgba(201,184,163,.16);
  --glow-b:rgba(154,163,173,.14);

  /* ── type: the hairline-serif pole of the dark family (Third Space, GT Sectra 300 ->
     Cormorant Garamond 300) for display, Geist for everything read. Two families.
     Sizes are the kit floors. */
  --serif:"Cormorant Garamond",'Iowan Old Style','Palatino Linotype',Palatino,Georgia,serif;
  --sans:"Geist",-apple-system,BlinkMacSystemFont,'Segoe UI',Helvetica,Arial,sans-serif;
  /* the metadata voice (captions, eyebrows, labels, hours): Geist Mono is Geist's own superfamily, so the site
     still runs two families (luxury grammar 17). Bang Bang and La Tatuajeria both set small type in a mono. */
  --mono:"Geist Mono",ui-monospace,SFMono-Regular,Menlo,Consolas,monospace;

  --wrap:1180px;

  /* ── luxury grammar knobs: square buttons (the gallery camp: Aman, Dishoom, CRISP),
     display line at the luxury median, light weight. */
  --btn-r:2px;
  --display:clamp(2.7rem,5.6vw,5.8rem);
}